J.B. Spins

Jazz, film, and improvised culture.

Monday, July 30, 2018

Fantasia ’18: Penguin Highway


When scores of penguins suddenly appear in this rural Japanese village, it is a little like Magnolia, but exponentially cuter. In fact, these penguins might just save our word as we know it, but until then, they are quite charming to have around in Hiroyasu Ishida’s Penguin Highway (trailer here), which won the Satoshi Kon Award at the 2018 Fantasia International Film Festival.

Aoyama is a reasonably well-socialized fourth grader, considering how smart he is. Nevertheless, the compulsively-experimenting science whiz is already looking forward to his future success. When “waddles” of penguins start waddling through his baffled town—way outsides their natural habitat, obviously—Aoyama is the first to start formulating hypotheses. Of course, that means he starts researching in the field, with the help of his loyal pal Uchida. However, he is also rather interested in the mysterious woman now working at the local dentist, whom he gallantly refers to as “The Lady.”

She is smart and has attitude, as well as other things a boy on the verge of puberty might notice (she is voiced by Yû Aoi, after all). Aoyama realizes he can learn a lot from her just from their conversations and chess games. However, his interest in her rises to a higher level when he realizes she apparently has a mysterious connection to the penguins. As if that were not enough, Aoyama and Uchida also help their classmate Hamamoto investigate a phenomenon that pretty clearly holds cosmic significance. Hamamoto is also quite the junior scientist, which is probably why she has a crush on Aoyama.

Highway is surprisingly intriguing as science fiction, warmly endearing as a coming of age story, and it is just the living end as a penguin fantasy. Despite the borderline Summer of ’42 relationship between Aoyama and the Lady, the film has a lot to offer family viewers, including lessons on the scientific method and the depiction of two fathers who are smart and engaged parents (Aoyama and Hamamoto’s dads). Plus, there are all those fun-loving penguins.

The animation (with character design work from Yojiro Arai) is visually quite lovely, but it is the film’s bittersweet vibe that really stick with you. The trappings are contemporary, but narrative has a timeless element to it. When you get right down to it, it would be ever so nice to stroll through this burg in the foothills, with a dozen penguins for company.

To his credit, Makoto Ueda never dumbs down his screen adaptation of Tomihiko Morimi’s source novel. There is some clever stuff in here and the stakes get planetary in scope. Yet, it still faithfully evokes all the optimism and confusion of young adolescence—with penguins. This film is just a total winner that looks like it was tailor-made for GKIDS. Regardless, somebody has to pick it up for US distribution, because it is too good for American anime fans to miss out on. Very enthusiastically recommended, Penguin Highway had its international premiere at this year’s Fantasia.

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