is now the Nile Ritz-Carlton, but management could still do without this kind
of product placement—just like the New York Sofitel probably wasn’t
particularly eager to see the Dominique Strauss-Kahn movie. Regardless, the
location couldn’t be better: Nile views right on Tahrir Square. Repercussions
from a murder committed behind the hotel’s closed doors will ultimately spill
out into the 2011 Arab Spring protests in Tarik Saleh’s The Nile Hilton Incident, which screens during the 2017 Sundance Film Festival.
Incident is “based” on the
2008 murder of Lebanese Suzanne Tamim, the winner of a Pan-Arab Pop Idol
contest, like hundreds of Law & Order
episodes were “ripped from the headlines.” The Ritz-Carlton would probably like
to point out Tamim was actually murdered in Dubai, but a close ally of the
Mubarak administration was indeed arrested for the crime. In this case, the
late Lalena was a night club performer who maybe turned a few tricks on the
side to survive. Rather inconveniently, one of her popular Tunisian colleagues
starts making noise at the station, as if she could find justice there.
Noredin will be the investigating officer, which should not inspire a heck of a
lot of confidence, since we first meet him making the police department’s
protection money pick-ups. Clearly, his commander (who also happens to be his
uncle) expects Noredin to sweep it all under the rug. However, when he starts
going through the motions of an investigation, he quickly links a wealthy
business leader and parliament member to the crime. Evidently, a Sudanese maid
saw it all, but she is understandably making herself scarce.
are considerable merits to Incident,
starting with its stylish look and the strikingly seedy back alley locations.
However, the general narrative arc harbors few surprises. Believe it or not, it
turns out privilege has its privileges. On the other hand, even though historians
might object, the way Saleh conflates the Tamim/Lalena murder with the Tahrir
Square protests is quite effective.
Fares (from the Department Q trilogy)
is all kinds of intense as the self-loathing Noredin. You can practically see
the steam coming out of his nostrils. Slimane Dazi is also chillingly soulless
as his quarry. Yet, the greatest attraction for many viewers will be the
nocturnal tour of Cairo’s streets, bars, and opium dens.
You can hear echoes of Chinatown throughout the film, but it is worlds removed from Saleh’s
best known film in America, Metropia,
the Tribeca-distributed dystopian animated feature. Good but too predictable to
be great, The Nile Hilton Incident screens
tonight (1/21), tomorrow (1/22), Thursday (1/26), and Saturday (1/28) in Park
City, as part of this year’s Sundance.
Labels: Fares Fares, Sundance '17, Tarik Saleh