Jazz, film, and improvised culture.
The Brooklyn Banker: When Williamsburg Behaved
1973, Williamsburg, Brooklyn was still a livable neighborhood, because the
local syndicate’s godfather made a point of keeping out all the knit-cap-wearing,
Bernie Sanders-voting, vegan riff-raff. Manny “the Hand” Mistera, where are you
now? Sensing trouble that fateful summer, the gangster tries to recruit a legit
banker with a savant-like talent for memorizing numbers. Santo Bastucci wants
no part of the crooked life, but how can he turn down one of those offers in
Federico Castelluccio’s The Brooklyn
which opens this Friday in New York.
inherited his gift for numbers from his father, but he really knows very little
about his late old man (so we know what that means). He understands full well
his father-in-law is a made man, but Benny seems like the amiable
go-along-to-get-along sort. Bastucci never wanted that life and his uncle, the
good Father Matteo was always around to keep him on the straight and narrow.
Unfortunately, dumb old Benny gives Bastucci major indigestion when he involves
the banker in a scheme to cash potentially fraudulent cashier’s checks supplied
by a bookie in hock to Manny the Hand. However, old Benny might not be as dumb
as he looks. In fact, he is clearly running some sort of scam, which puts the
son-in-law in a devilishly awkward position.
Banker is a surprisingly
well produced period piece. It really has the look and texture of the decade’s
classic gangster dramas. Unfortunately, the narrative and characters just aren’t
special enough. Frankly, it all feels rather workaday.
Paul Sorvino’s Benny has that mischievous twinkle in his eye, but how many
similar characters has he played over the course of his career? On opposite
sides of the spectrum, David Proval (Mean
Streets and The Sopranos) and Arthur
J. Nascarella (World Trade Center and
also The Soprano) both bring a lot of
grit and steely dignity to the film as Manny the Hand and Father Matteo, respectively.
Veteran television character actor John Bedford Lloyd also steals most of his
scenes as Bostonian Secret Service Agent Cahil. Unfortunately, Troy Garity
underwhelms in the lead. Understatement is one thing, cold, clamminess is
something else entirely.
(yet another alumnus of the Sopranos)
vividly transports viewers back to the Dog
Day Afternoon-Bronx is Burning New York that few of us ever really knew.
Yet, it is frustrating the film never rises above the level of okay. For
diehard fans of gangster films and old school New York, The Brooklyn Banker opens this Friday (8/5) in the City at the
Cinema Village and on the Island at the Malverne Cinema.
Labels: Gangster Films, New York Cinema