yourself for an alt-punk Oliver Sachs kind of story. There have indeed been
documented cases of musicians who retained their musical skills while suffering
from amnesia. It is a bit of a stretch to call Shigeo a musician, but he sure
can belt out a power grunge ballad. He has also lost his memory, but he is
probably better off without. A clean slate could be the fresh start he needs in
Nobuhiro Yamashita’s La La La at Rock
which screens as part of the 2015 New York Asian Film Festival.
his release from prison, Shigeo is beaten senseless by his former criminal
associates, who want him to take the hint and disappear. Instead, he wakes up
sans memory in an industrial section of Osaka. Somehow he staggers into the
park where the hybrid-band Akainu is playing. Much to everyone’s surprise,
including his own, he storms the stage and proceeds with a full-throated
rendition of what will become his signature tune. Akainu is managed by the
teenaged Kasumi, who inherited the motley crew along with her father’s
recording studio. She recognizes Shigeo can sing, even though he looks a
frightful mess, so she takes him in, appropriately dubbing him “Pooch.”
Kasumi’s help, Pooch will start piecing together his identity. Of course, we
know they will not necessarily like what they find out. There is a good chance
it will all come to a head right before the big gig.
is played by real life Japanese rocker Subaru Shibutani of the band Kanjani
Eight, whose distinctive voice would be perfect for Rush if they ever need to
replace Geddy Lee. He also turns out to be a pretty good actor, playing the
lost puppy and the low life creep equally convincingly. Pairing him up with the
young, poised superstar-in-the-making Fumi Nikaido was also a shrewd strategy.
She has a smart, charismatic presence, as well as a sense of naivety befitting
her youth. The age difference also precludes any kind of manipulative romantic
hogwash. They are definitely driving the film, but Sarina Suzuki adds some
spicy flair as Makiko, Kasumi’s hard-drinking doctor friend.
There are no huge, huge, huge surprises in store
for viewers over the course of Rock
Bottom. Lessons will be learned and secrets will be revealed. Nonetheless,
Yamashita plays his trump cards as close to his vest as he can. Ultimately the
film is rather touching and the music is bizarrely catchy. Recommended for fans
of films like Can a Song Save Your Life
(or Begin Again as the distributor
insisted on calling it), La La La at Rock
Bottom (which probably should have been called Begin Again instead) screens this Thursday (7/2) at the Walter
Reade and Saturday the 11th at the SVA, as part of this year’s NYAFF.
Labels: Fumi Nikaido, Japanese Cinema, NYAFF '15