Jazz, film, and improvised culture.
Land Ho!: Iceland Beckons
and Mitch are ex-brothers-in-law. Hallmark probably does not have a card for
that, but Mitch is not a Hallmark kind of guy. Colin sort of is, but it hasn’t
worked out for him. To ease the sting of his recent divorce and financial hardships,
he reluctantly agrees to accompany Mitch on a first class tour of Iceland in
Martha Stephens & Aaron Katz’s Land
this Friday in New York.
Colin sunk his savings into his second wife’s dubious business scheme, she
rather brusquely left him holding a bag of debt. The well-heeled Mitch feels
rather bad about that. The shamelessly outgoing surgeon still fancies himself a
player, but his ego is still bruised from his involuntary retirement. Hoping to
revive their spirits, Mitch books passage to Iceland, cracking wise every step
of the trip. As anyone who has seen Robert Altman’s The Player should know, Iceland is very green, whereas Greenland is
very icy. Nonetheless, they find plenty of snow during their genial series of
that is sort of the long and short of it. Sure, they argue and meet up with
some attractive female companions (distant relatives mind you, so nothing
brewing there), but Land is not
exactly a plotty film. Instead, Stephens and Katz basically rely on immense screen
charisma of their two principals, which largely bails them out.
Mitch, the devilishly lewd hedonist, Earl Lynn Nelson scores consistent
medium-sized laughs. There probably isn’t an earthy punchline he can’t land. Paul
Eenhoorn nicely counter-balances him, as Colin, the reserved everyman. They develop
a terrific bickering, bantering rhythm that is highly watchable. Eventually,
they do address their fundamental issues of mortality and human frailty, but
the proceedings never get excessively deep.
is almost fatally nice and pleasant. It is an
impossible film to dislike, but after a screening, not much of it sticks to the
ribs or the subconscious. Viewers struck by the co-leads’ timing and presence
should subsequently check out Chad Hartigan’s This is Martin Bonner, in which Eenhoorn plays a darker, richer
version of a similar late-middle aged character. It is an exceptional
performance. Nonetheless, Land will
more likely be the film he and Nelson will be recognized for—and that is fine. Recommended
for those looking for a breezy, bittersweet comedy that is light in calories, Land Ho! opens this Friday (7/11) in New
York at the Angelika Film Center.
Labels: Paul Eenhoorn, Road Movies