
Given its uniquely tragic history, many grieving spouses and children immigrated to Israel without parents and loved ones. Such was the case with Haar’s mother and grandmother, but his grandfather was very much alive. A Soviet Red Army officer stationed in Latvia, Marina’s father abandoned her and her mother shortly after the war. Always understandably resentful, Haar’s mother never sought out the father she never knew. However, when Haar tracks down his grandfather in frozen Novosibirsk, Marina reluctantly but resolutely follows-up in a series of phone calls, letters, and finally a fateful visit, all faithfully documented by Haar.
Deliberately modest and intimate, Melting is true to life, capturing the messy conflicting emotions and social awkwardness of Haar’s family reunion, finding closure where it can. Clearly a strong woman, Haar’s mother emerges as the star, tough but vulnerable all the way through. Yet, even on his supposed best behavior, his grandfather remains a deeply problematic figure. Before their eventual meeting, Marina muses whether deserting one’s family was conduct becomi

Unlike Haar’s other works, he frequently appears in Melting, good naturedly taking his family ribbing. It augurs well for his stint in-residence at SFFS (2/21-3/5), especially his classroom visits and master class scheduled for this Saturday (2/26). Haar will also be in-attendance for a special screening of Melting next Wednesday (3/2) at New People Cinema in San Francisco. Unblinkingly honest, it is quietly moving film, well worth seeing at any time.